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When The Office Has Great Theology

I fell in love with The Office years ago when I was speaking on a High School retreat in Oklahoma. I would go back to my cabin after the evening service and watch episodes back to back that I had downloaded from Itunes. It was like finding a brand new best friend. A very funny new friend.

A couple of weeks ago I watched the final episode which I thought was about as good as a finale can get. Instead of making brand new friends it felt as if I was losing some old friends. I had my heart tugged more than a few times and I have to admit I shed some tears.

What I want to draw your attention to though is the last line of the show, which is spoken by Pam as everyone is leaving the office following Dwight's wedding, many leaving the building for the last time.

She said,

" I thought it was weird when you picked us to make a documentary, but all in all I think an ordinary paper company like Dunder Mifflin was a great subject for a documentary. There is a lot of beauty in ordinary things, isn't that kind of the point."

What a beautiful line. What great theology. A theology of place, a theology of the ordinary, a theology of work and how God has made ordinary places, ordinary people, ordinary work and ordinary life to be filled with beauty, holiness and sacredness.

So often people have a sacred and secular division of everything in their life. Church on Sunday equals sacred, work Monday to Friday secular. Devotions equal sacred, changing diapers or cleaning the garage equals secular. Working full-time in ministry sacred, having any other job secular. It is an unholy dichotomy. One I held for a long time. This is not the view of The Bible and it is not Jesus's view. All things are spiritual and filled with God's glory and for God's glory. That view changes everything.

The Office nailed it. It captured the sacred in the ordinary. I know it was unintentional but they stumbled across God's common grace and His purposes. The Office could teach the church and Christians a thing or too. To see the sacred all around us, to experience God not just in the sanctuary but also at the copier. I know I'm not saying anything new but the line from the show was poignant. It was powerful. What if you went to work each day and realized how holy that time really is? Would it change things for you? Would you see the people that you work with and the time you have been given there differently?

Tim Keller in his book Every Good Endeavor which is about work writes,

“Everyone will be forgotten, nothing we do will make any difference, and all good endeavours, even the best, will come to naught. Unless there is God. If the God of the Bible exists, and there is a True Reality beneath and behind this one, and this life is not the only life, then every good endeavour, even the simplest ones, pursued in response to God's calling, can matter forever. All work has dignity because it reflects God’s image in us, and also because the material creation we are called to care for is good." 

So thanks Dwight, Michael, Pam, Andy, Jim and the rest of the gang for a great reminder! Goodbye, you will be missed.

Jesus and Spandex (Christian Stuff of the 80's) Chapter #4

CARMAN

*So yes I have to admit that I was a fan of Carman but wasn't every Christian in the 80's at one time! Don't be a hater! We used to do a skit to Carman's song THE CHAMPION at the summer camp I went to, it was always a camp favorite.

Carman was born in Trenton, New Jersey. As a child he played drums in his mother's band. Then as a teen he formed his own group. Around the age of 20, he moved to California

While attending an Andraé Crouch concert, Carman became a born again Christian, and embraced evangelicalism. In 1980, he made a custom album titled God's Not Finished with Me. The following year, he was invited by Bill Gaither to tour with The Bill Gaither Trio. After relocating to Tulsa, Oklahoma, he released a moderately successful eponymous debut album (later issued as Some-o-Dat) in 1982—which contained mostly novelty songs. Then with the release of the live album Sunday's On The Way in 1983, began a string of CCM chart successes beginning with the title song. As he continued his musical career, Carman established the non-profit organization Carman Ministries. With the 1985 release of The Champion came his first number one song, of the same name. Another live album—Radically Saved—came in 1988. Then 1989 brought Carman his first number one album—Revival in the Land.

Between 1987 and 1989, he was named Charisma magazine's readers' choice for favorite male vocalist. In 1990 and 1992, Billboard Magazine recognized Carman's influence in Christian music by naming him the Contemporary Christian Artist of the Year and in 1995 he recorded his first album in Spanish-Lo Mejor-which includes some of the already recorded songs like Who's in the House and The River. In 2000 the album Heart of a Championcame out with 30 of his best songs including new songs. In 2007 he updated his catalog with Instrument Of Praise, which saw him exploring the new musical styles of the time.

He has received 15 gold and platinum albums and videos and has sold over 10 million records. He holds the world record for the largest solo Christian Concerts in history with 80,000 attendees for a Charlotte, North Carolina show, and 71,132 indoors at Texas Stadium, as well as the largest ticketed CCM solo concert with 50,000 in Johannesburg, South Africa.

Pray for Carman who is battling life-threatening cancer.

 

Retro Post #2: A Youth Pastor Goes to Comic-Con

This Post originally appeared July 29, 2008

Over the last couple of days I have been getting my thoughts together about my day at San Diego Comic-Con. Comic-Con is the largest pop-culture,super-hero, fantasy, gaming, comics, freak-show extravaganza in the USA. This year I believe it attracted over 175,000 people. All of the major movie studios, video game companies, comic companies and basically anyone who creates media in America use this as a platform to push their product. It is unbelievable.

If you have never been to this event, you should go at least once in your life if just to people watch. As I walked around on the last day of the convention I continued to ask myself, "Who is going to reach these people for Jesus, and more importantly how?" Now, I'm not talking about people like me who are just fans of a lot of this stuff, but about the people who LIVE for this stuff. The people deeply immersed in this world of make believe and fantasy. How do you get to them with the gospel? I don't think the traditional church is going to quite do it. Do you think wolverine guy at the top of this post would relate to that? I don't know the answer to this question maybe you do and I would love to hear it.

I can comment on some of the things I saw there, things that the church needs to plug into to reach teens, kids and adults who are living in this world.

Passion- People at Comic-Con are passionate about what they are into. Passionate enough to spend hours and hundreds of dollars making their own costumes. Many even dress up their little babies! They drop some major bank on merchandise and collectors items and will wait in line forever to catch the latest buzz about a new movie or a game. It is a yearly "religious" pilgrimage and their level of commitment is amazing. They prepare all year for this, and this event is just an extension of who they are the rest of the year. Are we this passionate about our faith, Jesus and the church?

Community- You can write some of these people off as socially awkward (you might be right) but I can tell you that I felt a genuine sense of community and friendliness amongst most of these people. They spoke a common language, they shared heroes, there were smiles everywhere and people seemed very genuine. If you asked a question about a particular movie or comic someone always jumped in and answered you and tried to help. It was refreshing. Maybe these people aren't afraid to be themselves with each other? Do we share these things as a church?

Imagination- The creativity was amazing and not just from the media makers but from the crowd. From art, to film, graphics, design, costumes, figures, and fantastical worlds it is a tribute to the creative spirit. Do we make our teaching creative? Do we give students chances to be creative?

Hunger for Story & Heroes- People are dying for good stories. For new worlds full of risk, adventure, courage, redemption, struggle and victory. They look for heroes they can connect with, heroes who inspire them to be better than they are. People want compelling narratives, and larger than life heroes. This is where we have failed so miserably as a church but where we have so much potential. We follow the ultimate hero and have such a great story to tell, one that can be told in so many creative ways.

Emptiness and Loneliness- As I walked around I couldn't help hearing and seeing people that had in many ways failed relationally or socially in this world and so were drawn to fantasy worlds where they could be someone else or live vicariously through a character. This is not unique to the "nerds", for there are plenty of popular people at a bar somewhere doing the same thing through alcohol instead of star wars, or another "hook-up" instead of another comic book. It is all the same song, just a different tune. There is a deep pit of loneliness in our culture, of emptiness brought on by losing ourselves in things that will never truly quench our thirst. Does the church offer significance? Significance for the here and now not just salvation for someday? I wonder.

Maybe the geeks have something to teach! Listen up church.

With great power comes great responsibility.

Jesus and Spandex (Christian Stuff of the 80's) Chapter #3

DC TALK

Little known fun fact. In the mid 90's I became friends with Kevin Max and Toby. One surreal night in Atlanta I was walking around downtown with just Toby, Kevin and little old me looking for donuts. Go figure. Life is random.

"DC Talk" was a nickname that Toby Michael McKeehan, later "TobyMac", (1964- ), who was born in Falls Church, Virginia, was given for being from theWashington D.C., area. While attending Liberty University, McKeehan met Michael DeWayne Tait (1966- ), and the two began to perform together. Tait had been featured singing on Jerry Falwell’s The Old Time Gospel Hour and recorded with the Falwell Singers. He also performed solo, what TobyMac later described his "kind of an R&B / church-oriented music."

The two joined forces to record a song that McKeehan had written, "Heavenbound". They performed the song before an audience of 8,000 Liberty students with McKeehan rapping and Tait singing the chorus. The song was well received, selling out the approximately 3,000 copies of their demo tape, Christian Rhymes to a Rhythm. The tape included "Heavenbound" and was distributed by the group in the Washington D.C. area. The group’s demo tape eventually led to a recording contract with Forefront Records in 1988. Kevin Max Smith, later "Kevin Max", (1967- ) came from a campus rock band to join the group,and the trio called themselves "DC Talk and the One Way Crew". The name was later simplified to "DC Talk", which came to stand for "decent Christian talk".

The group's musical style evolved significantly throughout their career. Their first two releases, DC Talk and Nu Thang, were of the hip hop genre. DC Talk's third album, Free at Last, also mainly took influence from the hip hop style, although their music began taking on a rock sound. The trio's last two albums, Jesus Freak and Supernatural, were predominantly pop rock.

 In 2002, theEncyclopedia of Contemporary Christian Music called DC Talk "the most popular overtly Christian act of all time."

 

Jesus And Spandex (Christian Stuff Of The 80'S) Chapter #2

STRYPER

During 1980s, Stryper represented the popular glam metal style for the time which is characterized by highly visual performances, twin guitar solos, Michael Sweet's high-pitched, multi-octave screams and big hair. A trademark of the band's stage act was drummer Robert Sweet's practice of turning his enormous drum kit sideways to the audience so that the crowd could see him playing. This is why Robert was more often called a "visual timekeeper" rather than a drummer. A characteristic element of the band was that all their outfits, sets, and instruments were painted in yellow and black stripes. The number of the stripes represented in various stage props and costumes increased during the show, leading up to In God We Trust. The band would explain the symbolism of the stripes: a direct reference to the whiplash scourges given byPontius Pilate to Jesus, derived from the King James Version of the Bible's Isaiah 53:5.

Formed in 1983 as Roxx Regime, the band would soon change their musical message to reflect theirChristian beliefs, and the band's name was also changed to Stryper. They would go on to become the first overtly Christian heavy metal band to gain acceptance in the mainstream. In 1983, they signed with major label Enigma Records and released their debut album The Yellow and Black Attack. In the mid-1980s, Stryper enjoyed their most successful period beginning with the release of To Hell with the Devil, which achieved Platinum sales status. Stryper would go on to release two more Gold albums before breaking up in 1992. In 2003, Stryper came out of retirement for a reunion tour and subsequently signed a multi-album contract with Big3 Records in 2005.